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The Band - The Band (1969) [24 bit FLAC] vinyl
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politux flac vinyl 24.bit 24.96 rock folk.rock roots.rock country.rock singer.songwriter 1960s 1969
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  The Band - The Band (1969) [24 bit FLAC] vinyl
  
  Genre: Pop/Rock
  Styles: Folk Rock, Roots Rock
  Source:  Capitol STAO-132 (Original Pressing)
  Codec: FLAC
  Bitrate: ~ 2,900 kbps
  Bit Depth: 24
  Sapmpling Rate: 96,000 Hz

  A1 Across The Great Divide
  A2 Rag Mama Rag 
  A3 The Night They Drove Old Dixie Down 
  A4 When You Awake 
  A5 Up On Cripple Creek
  A6 Whispering Pines 

  B1 Jemima Surrender 
  B2 Rockin' Chair
  B3 Look Out Cleveland 
  B4 Jawbone 
  B5 The Unfaithful Servant 
  B6 King Harvest (Has Surely Come) 

  Rip Info (ripped by Kel bazar)

  RCM: Okki Nokki + Okki Nokki & l’art du son fluid
  TT: Kuzma Stabi S with Heed Orbit 2 PSU & Funk Firm FXR II Tonearm
  Cartridge: Ortofon Cadenza Bronze MC
  Phono stage: A.N.T. Audio “Kora 3T” S.E. MC
  Cables: QED Reference Audio Interconnects
  Computer: Sony Vaio VPCJ1
  ADC: Tascam US-144 external USB 2.0 Audiointerface
  Software: WaveLab 5.01, ClickRepair & iZotope RX2 for post-processing.

  The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest (Has Surely Come)" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old Dixie Down." The album effectively mixed the kind of mournful songs that had dominated Music from Big Pink, here including "Whispering Pines" and "When You Awake" (both co-written by Richard Manuel), with rollicking uptempo numbers like "Rag Mama Rag" and "Up on Cripple Creek" (both sung by Levon Helm and released as singles, with "Up on Cripple Creek" making the Top 40). As had been true of the first album, it was The Band's sound that stood out the most, from Helm's (and occasionally Manuel's) propulsive drumming to Robertson's distinctive guitar fills and the endlessly inventive keyboard textures of Garth Hudson, all topped by the rough, expressive singing of Manuel, Helm, and Rick Danko that mixed leads with harmonies. The arrangements were simultaneously loose and assured, giving the songs a timeless appeal, while the lyrics continued to paint portraits of 19th century rural life (especially Southern life, as references to Tennessee and Virginia made clear), its sometimes less savory aspects treated with warmth and humor.

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